lampe électrique - definizione. Che cos'è lampe électrique
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Cosa (chi) è lampe électrique - definizione

EARLY ELECTRONIC MUSICAL INSTRUMENT
Clavecin Electrique; Clavecin electrique; Clavessin électrique
  • Diagram of the ''clavecin électrique''.

Clavecin électrique         
The clavecin électrique (or clavessin électrique) was a musical instrument invented in 1759 by Jean-Baptiste Thillaie Delaborde, a French Jesuit priest. It is the earliest surviving electric-powered musical instrument, antedated only by the Denis d'or, which is only known from written accounts.
Friedrich Adolph Lampe         
  • Friedrich Adolf Lampe
GERMAN THEOLOGIAN
Draft:Friedrich Adolph Lampe; Friedrich Adolf Lampe
Friedrich Adolph Lampe (18 February 1683 – 8 December 1729) was a German Pietist pastor, theologian and professor of dogmatics. He was a Cocceian, and follower of Johannes d'Outrein.
Geoffrey Hugo Lampe         
BRITISH THEOLOGIAN
Geoffrey Lampe; Geoffrey W. H. Lampe
Geoffrey William Hugo Lampe (13 August 1912 – 5 August 1980) was a British theologian and Anglican priest who dedicated his life to theological teaching and research. He was Edward Cadbury Professor of Theology at the University of Birmingham from 1953 to 1960.

Wikipedia

Clavecin électrique

The clavecin électrique (or clavessin électrique) was a musical instrument invented in 1759 by Jean-Baptiste Thillaie Delaborde, a French Jesuit priest. It is the earliest surviving electric-powered musical instrument, antedated only by the Denis d'or, which is only known from written accounts.

Delaborde described the instrument in his 1761 publication, Le clavessin électrique. The mechanism was based on a contemporary warning-bell device, and the instrument was essentially an electric carillon. A number of bells, two for each pitch, hang from iron bars along with their clappers (one for each pair). A globe generator charged the prime conductor and the iron bars. The musician pressed a key and one of the bells of the corresponding pair was grounded, cut off from the charge source. The clapper then oscillated between the grounded and the charged bells, producing the desired tone.

The somewhat inappropriate choice of the instrument's name was defended by Delaborde, who claimed that it was far superior to a carillon. He also mentioned that during a performance in a dark room, the listener's "eyes are agreeably surprised by the brilliant sparks" that were produced by the instrument. The press and the public admired the innovative machine, but it was not developed further. The model Delaborde himself built survives, and is kept at the Bibliothèque nationale de France in Paris.